Today, computers help us making the music. It's really a tool.

When I write in Hebrew, I don’t look for sophistication in music; it’s just pure emotion that comes out.

I remember there was a little organ which I’d tap my fingers on all the time. My interest in the instrument was so obvious, one day I got home from school and there was a real piano in my bedroom.

I remember there was a little organ which I'd tap my fingers on all the time. My interest in the instrument was so obvious, one day I got home from school and there was a real piano in my bedroom.

Usually when a song comes to me, I don't ask a lot of questions; I hear something, and I just let it out in song. It's like making a salad. Everything I hear, and everything I am, I mix together in a different way in each song.

I like finding that common point between another song and my music. It's like between people; you can be of religion or another, from this country or from another country, but we're all basically the same. It's just the same with songs.

Today, computers help us making the music. Its really a tool.

In France, I found there is a lot of attention to the little details and to the quality of life.

I like to sing covers of songs that are at the extreme ends from what I usually listen to.

I had arrived years ago in Paris and just wanted to be famous, fast. When you're pretentious like that, and you think you've planned everything perfectly, it's then that everything goes in the opposite way.